These started as tools I needed rather than pieces to show. Brand work kept asking for the same things, a palette that holds together across a whole system and type that does something on screen besides sit there, and the tools I had either did half of it or did it somewhere I could not shape. So I began building my own: a colour wheel that turns one base colour into a harmony with named swatches, Tailwind scales and a contrast check, and a playground for pixelated type I can export straight into a project. They are where the parts of my work that usually live apart, brand systems, interface design and front-end code, end up in the same place, and both were made for real projects before they were anything else.
